Naš advokat, Vladislava Savić, rangirana je kao Rising star/Zvezda u usponu za 2024. godinu, za jurisdikciju Srbije, prema MIP (Managing Intellectual Property) IP STARS rang listi. Posle Nikoline Vujinović, kojoj je ove godine dodeljena ‘Copyright star’ titula za domaće podrujče, Vladislava je drugi advokat u našoj kancelariji koji je poneo priznanje renomiranog pravnog vodiča.
Javno priznanje koje nezavisno dodeljuje IP STARS ima veliku specifičnu težinu, predstavlja ukazanu čast i dokaz izvrsnosti za mlađu generaciju pravnika. Ponosni smo što poneli ovu titulu, dodavšu pritom još naših advokata na prestižnu listu, ali i na to što smo potvrdili kvalitet među advokatskim kancelarijama za intelektualnu svojinu u Srbiji.
Vladislava Savić se, zajedno sa našim timom bavi širokim spektrom delatnosti, ali najviše medijima i kreativnom industrijom. Sa aspekta oblasti prava, rad sa klijentima u oblastima žigova, autorskih prava, IT i internet prava je Vladislavina specijalnost, a ima značajno iskustvo i sa domaćim i međunarodnim projektima.
Velike čestitke Vladislavi i ostatku ekipe na ostvarenim dostignućima i osvojenim nagradama. Ovo je vetar u leđa da težimo ka još većim ciljevima.
Vladislava Savić Ranked as Rising Star by IP STARSVladislava Savić, our lawyer, was ranked as a Rising Star 2024 for the jurisdiction of Serbia by MIP (Managing Intellectual Property) IP STARS ranking list. Following Nikolina Vujinović, who was named a ‘Copyright star’ in our jurisdiction previously this year, Vladislava is the second attorney in our firm to get recognition from the renowned guide.
The official announcement of the IP STARS title has a specific weight, is a great honor and a proof of the excellence of the younger generation of lawyers. We are not only proud to have been acknowledged once more, as well as to have added more attorneys to the list, but to also prove our extensive quality among IP law firms in Serbia.
Vladislava Savić handles a wide range of industries with our team, but mostly those in the media and creative arts. Working with clients in the areas of trademark, copyright, IT, and internet law is Vladislava’s primary specialty, while she also contributes to numerous national and international projects.
Great congratulations to Vladislava and the rest of the team for the accomplishments and awards obtained. Our combined achievement is heightened by all of this.
The New Strategy for the Development of AI Has Been PublishedThe Government of the Republic of Serbia presented the new Artificial Intelligence Development Strategy for the period from 2024 to 2030. In order to implement the Strategy, action plans are currently being prepared for a three-year period, and the adoption of the Action Plan for the implementation of the Strategy is expected soon, which will be adopted within 90 days from the adoption of the Strategy.
The general goal of the new Strategy is to accelerate the development of national resources for the development of artificial intelligence in the economy and education, as well as the availability of artificial intelligence for all citizens.
The Strategy particularly emphasized as a measure in the development and integration of AI, the incentive of its application in creative industries.
The creative sector stimulus measure aims to stimulate the integration and innovative use of artificial intelligence in the creative industries, including design, music, film, digital media, visual arts, mobile and computer games. A program is also planned that will support the development of new AI tools that can help in the creation, analysis and distribution of creative content.
The mentioned measure, more specifically, includes: 1. encouraging research and development of AI technologies that can be used in creative processes, 2. financial support for startups and projects that investigate the application of AI in creative industries, 3. development of electronic historical libraries and virtual museums, 4 organizing workshops, seminars and conferences that bring together technological experts and creatives, 5. cooperation with universities and research centers for the development of courses that will educate creatives about the possibilities and advantages of using AI, and others.
Although a large number of laws, including the Law on the Protection of Personal Data, as well as all laws regulating intellectual property, already have their application in the AI field, the Strategy expressly foresees the adoption of regulations that, in accordance with general trends in the world, aim to create legal framework, which will enable rapid development and application of innovations, but taking into account human rights and ethical standards and international conventions. When adopting the regulation, a significant level of monitoring and harmonizing it with international standards is foreseen, which should facilitate its commercialization.
Objavljena Nova Strategija Razvoja Veštačke InteligencijeVlada Republike Srbije je predstavila je novu Strategiju razvoja veštačke inteligencije (VI) za period od 2024. do 2030. godine. U cilju sprovođenja Strategije trenutno se pripremaju akcioni planovi za trogodišnji period, a uskoro se očekuje usvajanje Akcionog plana za njeno sprovođenje koji će biti donet u roku od 90 dana od usvajanja.
Opšti cilj nove Strategije jeste ubrzanje razvoja nacionalnih resursa za razvoj veštačke inteligencije u privredi i obrazovanju, kao i dostupnost veštačke inteligencije za sve građane.
Strategija je posebno istakla kao meru u razvoju i integraciji VI, podsticaj njene primene u kreativnim industrijama.
Mera podsticaja u kreativnom sektoru ima za cilj stimulisanje integracije i inovativne upotrebe veštačke inteligencije u kreativnim industrijama, uključujući dizajn, muziku, film, digitalne medije, vizuelne umetnosti, mobilne i računarske igre. Planiran je i program koji će podržati razvoj novih VI alata koji mogu da pomognu u kreiranju, analizi i distribuciji kreativnog sadržaja.
Pomenuta mera, konkretnije, obuhvata: 1. podsticanje istraživanja i razvoja VI tehnologija koje se mogu koristiti u kreativnim procesima, 2. finansijsku podršku za startape i projekte koji istražuju primenu VI u kreativnim industrijama, 3. razvoj elektronskih istorijskih biblioteka i virtuelnih muzeja, 4. organizovanje radionica, seminara i konferencija koje spajaju tehnološke stručnjake i kreativce, 5. saradnju sa univerzitetima i istraživačkim centrima za razvoj kurseva koji će obrazovati kreativce o mogućnostima i prednostima korišćenja VI, i drugo.
Iako veliki broj zakona, uključujući Zakon o zaštiti podataka o ličnosti, kao i sve zakone koji regulišu intelektualnu svojinu, već ima svoju primenu na polju VI, Strategija izričito predviđa i donošenje regulative koja u skladu sa opštim trendovima u svetu, ima za cilj da stvori pravni okvir, koji će omogućiti brz razvoj i primenu inovacija, ali vodeći računa o ljudskim pravima i etičkim standardima i međunarodnim konvencijama. Pri donošenju regulative, predviđen je značajan nivo praćenja i usaglašavanja iste sa međunarodnim standardima, koji bi trebalo da olakša njenu komercijalizaciju.
Zaštita Hotelskih Podataka u 2024: Ključni IzazoviZaštita podataka o ličnosti u poslovanju hotela i usaglašenost sa relevantnom regulativom, sve je kompleksnija usled sve većeg oslanjanja na digitalnu tehnologiju. Hoteli su česte mete sajber napada jer imaju pristup velikim količinama osetljivih podataka, uključujući brojeve kreditnih kartica, identifikacione i druge lične podatke. Sa druge strane, hotelijeri radi očuvanja reputacije i izbegavanja finansijskih gubitaka, unapređuju svoje tehnološke procedure koje je neophodno staviti u jasne zakonske okvire.
Zašto je ključno zaštititi podatke gostiju u hotelu?
Korišćenje podataka o gostima u različite svrhe, uključujući predviđanje, personalizaciju, optimizaciju usluga i razvoj lojalnosti kupaca svakako čini hotelsku uslugu superiornom. Velika količina podataka koji se obrađuju, međutim, stvara zakonske obaveze u procesu upravljanja tim podacima. Korišćenje podataka može značajno unaprediti poslovanje hotela, ali u slučaju odsustva zakonske usaglašenosti, može naneti ozbiljnu finansijsku i reputacionu štetu.
Ugovori sa dobavljačima
Sektor ugostiteljstva koristi mnogo spoljnih sistema, uključujući skladištenje u oblaku (eng. “cloud”), POS, PMS i sisteme za rezervacije. Iako ovi alati povećavaju efikasnost i pojednostavljuju procese, zavisnost od drugih lica nosi određene opasnosti. Ponekad ne možemo biti sigurni da li ovi dobavljači preduzimaju iste mere predostrožnosti kao hotel, tj. da li se korišćenjem usluga ovih sistema, hotelijer izlaže rizicima nezakonite obrade podataka. Zbog toga je preporučljivo pažljivo pristupiti izboru dobavljača i proveriti da li bezbednosne procedure ovih dobavljača ispunjavaju neophodne zahteve, pri čemu značajnu ulogu igra ugovorni odnos između hotela i dobavljača, kao i procedure postupanja u kriznim situacijama.
Usklađenost zaštite podataka
Kao odgovor na sve komplikovanije potrebe hotelske industrije, razvijaju se strožiji standardi privatnosti podataka. Regulativa u ovoj oblasti je izuzetno složena i osetljiva, te zahteva duboko poznavanje tehnoloških procesa i zakonskih obaveza, kako bi svaki korak u obradi podataka bio siguran i regulatorno usklađen. Imenovanje lica za zaštitu podataka o ličnosti koje poznaje zakonske obaveze je svakako prvi korak ka usklađenosti, ali ono predstavlja samo mali deo obaveza koje regulativa propisuje u ovoj oblasti. Propisane novčane kazne u slučaju kršenja zakonskih obaveza u pogledu zaštite podataka o ličnosti su visoke, a svaki propust stvara dodatan rizik od podnošenja odštetnih zahteva ka kompaniji.
Sajber napadi
Kako hoteli čuvaju mnogo osetljivih podataka, česte su mete za sajber napade. Korišćenje Wi Fi mreža i ogroman broj lica koji dolazi u dodir sa podacima, povećava mogućnost sajber napada ili proboja podataka u hotelu. Zbog toga hotel treba da bude na oprezu od hakera, bilo da se radi o malveru, ransomveru, fišing-u ili napadima uskraćivanja usluga.
Interni rizici
Radnici ili bilo ko drugi sa pristupom hotelskim sistemima i informacijama može zloupotrebiti svoje privilegije za dobijanje privatnih informacija, što može dovesti do curenja podataka ili kršenja bezbednosti. Čak i kada su ove opasnosti nenamerne, može biti teško predvideti kada će se pojaviti. Imajući to u vidu, neophodno je jasno urediti interne procedure, sistem odgovornosti i tehnološki proces pristupa podacima kroz odgovarajuće autentifikacije kad god je to moguće.
Mobilni uređaji i Wi-Fi
Hakeri će verovatno ciljati PMS i druge hotelske softverske sisteme na koje se veliki broj lica kači sa mobilnih uređaja. U tom smislu, važno je obezbediti procedure korišćenja internih mobilnih uređaja (ograničenje korišćenja eksternih mreža, ograničenje korišenja PMS sistema u određenim mrežama, redovna promena lozinke i sl).
Takođe, Wi-Fi kao imperativ funkcionisanja u savremenom prostoru, predstavlja jedno od čestih mesta hakerskih napada, obzirom da se mrežna veza između gostiju i hotela lako može iskoristiti kao ulazna tačka za sajber napade. Radi izbegavanja ovih rizika, stručnjaci savetuju da se Wi-Fi mreža posebno konfiguriše i da se preduzmu što jače tehnološke mere zaštite.
Konačno, zaključićemo da hotelijerstvo ima veliku potrebu za pažljivim rukovanjem podacima o ličnosti na svakom nivou, te da je neophodno posebnu pažnju posvetiti pravnim i tehnološkim aspektima zaštite podataka, kako bi se poslovni rizici u ovoj oblasti smanjili na najniži mogući nivo.
Protecting Hotel Data in 2024: Key ChallengesThe protection of personal data in hotel business and compliance with relevant regulations is increasingly complex due to the increasing reliance on digital technology. Hotels are frequent targets of cyberattacks because they have access to large amounts of sensitive data, including credit card numbers, identification and other personal information. On the other hand, hoteliers, in order to preserve their reputation and avoid financial losses, improve their technological procedures, which must be placed within clear legal frameworks.
Why is it crucial to protect guest data at your hotel?
Using guest data for various purposes, including prediction, personalization, service optimization and customer loyalty development certainly makes hotel service superior. The large amount of data processed, however, creates legal obligations in the process of managing that data. Using data can significantly improve hotel operations, but in the absence of legal compliance, it can cause serious financial and reputational damage.
Independent contractors
The hospitality sector uses many external systems, including cloud storage, POS, PMS and reservation systems. Although these tools increase efficiency and simplify processes, dependence on other parties carries certain risks. Sometimes we cannot be sure whether these suppliers take the same precautions as the hotel, ie. whether by using the services of these systems, the hotelier exposes himself to the risks of illegal data processing. Therefore, it is advisable to carefully approach the choice of suppliers and check whether the security procedures of these suppliers meet the necessary requirements, whereby the contractual relationship between the hotel and the supplier plays an important role, as well as procedures for dealing with crisis situations.
Data protection compliance
In response to the increasingly complicated needs of the hotel industry, stricter data privacy standards are being developed. The regulation in this area is extremely complex and sensitive, and requires deep knowledge of technological processes and legal obligations, so that every step in data processing is safe and regulatory compliant. Appointing a data protection officer who knows the legal obligations is certainly the first step towards compliance, but it represents only a small part of the obligations prescribed by the regulations in this area. Prescribed fines in case of violation of legal obligations regarding the protection of personal data are high, and each omission creates an additional risk of filing compensation claims against the company.
Cyberattacks
As hotels store a lot of sensitive data, they are frequent targets for cyber attacks. The use of Wi-Fi networks and the huge number of people who come into contact with the data, increases the possibility of a cyber attack or data breach in the hotel. This is why the hotel needs to be on the lookout for hackers, be it malware, ransomware, phishing or denial of service attacks.
Internal risks
Employees or anyone else with access to hotel systems and information may abuse their privileges to obtain private information, which may lead to data leaks or security breaches. Even when these dangers are unintentional, it can be difficult to predict when they will occur. Having this in mind, it is necessary to clearly arrange the internal procedures, the accountability system and the technological process of data access through appropriate authentication whenever possible.
Portable Electronics & WiFi
Hackers are likely to target PMS and other hotel software systems that have large numbers of people accessing them from mobile devices. In this sense, it is important to provide procedures for the use of internal mobile devices (restriction on the use of external networks, restriction on the use of PMS systems in certain networks, regular password changes, etc.).
Also, Wi-Fi, as an imperative for functioning in the modern space, is one of the frequent sites of hacker attacks, given that the network connection between guests and the hotel can easily be used as an entry point for cyber attacks. In order to avoid these risks, experts advise to configure the Wi-Fi network separately and to take the strongest possible technological protection measures.
Finally, we will conclude that the hotel industry has a great need for careful handling of personal data at every level, and that it is necessary to pay special attention to the legal and technological aspects of data protection, in order to reduce business risks in this area to the lowest possible level.
Global Innovation Index: Sve Više Filmskih Ostvarenja Potiče iz Sveta Video Igara
WIPO i Omdia predstavili su podatke iz kreativne industrije u okvriru sveobuhvatnog Global Innovation Index-a (GII) koji se smatra jednim od najrelevantnijih pokazatelja za razne sfere kreativne industrije. GII nudi pokazatelje u vezi sa brojem nacionalnih igranih filmova, ali i druge koje se odnose na podatke u filmskom, TV i medijskom sektoru, uključujući filmsku produkciju, pozorišnu distribuciju i bioskopske izložbe. Pri čemu analize idu u pravcu uticaja na produckije širom sveta posle perioda pandemije, ali i u pravcu novih veza između filma i drugih sektora.
Pored raznih tabelarnih prikaza koji se odnose na statistike iz prethodnih godina i decenija, date su i prognoze. Jedna od takvih jeste prognoza da će prihodi od bioskopa u budućnosti biti povećani novim filmovima zasnovanim na igračkama ili igrama (na primer, Mario Bros i Transformers). Posledično, prava intelektualne svojine na igračkama i video igrama će poslati važan izvor stvaranja novih sadržaja. Očekuje se i značajno povećanje novih oblika originalnog pozorišnog sadržaja, uključujući koncerte na turnejama uživo (kao što je to bio slučaj sa ‘THE ERAS Tour’, pevačice Tailor Svift).
O usponu IP sadržaja i njihovom povećanom ‘uplivu’ u filmsku industriju, svedoče i analize koje je ranije publikovao Deloitte. Tu se predviđa da će se udeo prihoda u bioskopskim blagajnama od IP video igara udvostručiti do 2025, kao i da sve više filmskih ostvarenja potiče iz sveta video igara što zamagljuje granice između sveta igara i kinematografije. Ovome naročito doprinose mlađe generacije kao publika koja favorizuje razbijanje granica između tradicionalnih medija i njihove dosadašnje podele na filmske i video junake.
U prilog tome koliko je vredna spona između ‘igrica’ i filma govori činjenica da je Super Mario Brothers bio je najuspešniji film o video igricama ikada, pri čemu je njegovo prikazivanje uticalo na enormno uvećanje prihode Nintenda, od čak 1,3 milijarde dolara. Pre toga, nijedna filmska adaptacija video igrica nikada nije prešla 500 miliona dolara zarade na blagajnama.
Na tom talasu, i Electronic Arts je svoju igru Star Wars Jedi: Survivor naveo kao jedan od dva glavna ‘krivca’ za svoju znatno uvećanu kvartalnu zaradu. Slični uspesi prate Sony-jevu seriju igara The Last of Us, koja je postala veliki serijski hit na platformi Home Box Office (HBO), prošle godine. A pareleno Netflix je pokrenuo svoju ponudu mobilnih igara, koja je uključivala video igre zasnovane na filmovima i serijama iz njegovih naslova za striming.
Svi ovi parametri ukazuju na to da su priče (narativi), promocije i glumci značajni za oba sveta (filma i video igara), što se plastično ogleda u tome da produkcijski studiji nastoje da monetizuju svoje najvrednije i najuspešnije sadržaje kroz bioskope i interaktivne univerzume. IP igara pokreće prihode na blagajnama, s jedne strane, što potencijalno dovodi sve više ljudi u igru, sa druge, otvarajući prostore i za druge adaptacije i nastavke.
Globalno stanje kinematografije posle pandemije: rangiranje po zemljama
GII ponovo svrstava indiju na vrh liste kada je fimska produkcija u pitanju, pri čemu se ističe da je da je broj snimljenih filmova u jednoj godini (2022.) dostigao rekornih + 679 ostvarenja. Japan takođe beleži uspon sa + 144, Turska sa +111, kao i Španija sa +49. Međutim, najveća stopa opadanja fimskih snimanja jeste u Sjedinjenim Američkim Državama (-109), zatim Kina (-80), kao i Francuska (-57).
Indijski Bollywood je samo u 2022. godini snimio gotovo 2.500 fimskih ostvarenj, što je 29% celokupmne svetske produkcije. Trećinu od te sume snimio Hollywood (oko 835) što ga u globalnim razmera pozicionira na drugo mesto po stepenu produkcije u svetu, a za sada neobjavljene statistike iz 2024. godine ukazuju da se je broj filmova u Hollywood-u u još većem opadanju.
Na trećem mestu nalazi izuzetno napredni Japan, koji uzima sve veći procenat ukupnog share-a u svetu filma, a posebno je značajan u tom smislu ekranizacija popularnih ‘anima’ ostvarenja. Kina je na četvrtom mestu – ona ostaje vrlo snažna kao lokalna produkcija, sa ne toliko velikim ‘izvozom’ filmova.
Preostalih 20 mesta, prema pokazateljima Global Innovation Index-a zauzimaju zemlje sa srednjim ekonomskim prihodima kao što su Meksiko, Argentina, Brazil, Rusija, Filipini i Iran. Dok, kada je reč o broju snimljenih filmova u odnosu na broj stanovnika zemlje u Evropi – vodi Island, a za njim su Švajcarska, Estonija, Češka i Luksemburg.
Afričko tle je zanimljivo po svojim parametrima, i zamlje beleže skokove u filmskim produkcijama. Pa tako Maroko prednjači po tome što je učetvorostručio broj snimljenih filmova tokom četiri godine. A za njim slede Egipat i Južna Afrika.
Advokatska kancelarija Vujinović & Partners savetuje klijente u oblastima audiovizuelne, kreativne, umetničke i medijske industrije. Naši klijenti su filmski i medijski producenti, emiteri i distributeri medijskih sadržaja. Možete nas kontaktirati na office@vujinovicpartners.rs.
Global Innovation Index After Pandemic: More and More Film Productions Originate From the Video GamesWIPO and Omdia presented data from the creative industry, in the report related to the comprehensive Global Innovation Index (GII), which is considered one of the most relevant indicators for various spheres of the creative industry. The GII offers indicators related to the number of national feature films, but also others related to data in the film, TV and media sectors, including film production, theatrical distribution and cinema exhibitions. The analysis goes in the direction of the impact on products around the world after the pandemic period, but also towards new connections between film and other sectors.
In addition to various tabular presentations related to statistics from previous years and decades, forecasts are also given. One such forecast is that future movie theater revenues will be boosted by new movies based on toys or games (for example, Mario Bros. and Transformers). Accordingly, intellectual property rights in toys and video games will be an important source of new content creation. A significant increase in new forms of original theatrical content is also expected, including live touring concerts (as was the case with singer Taylor Swift’s “THE ERAS Tour”).
The rise of IP content and their increased “influence” in the film industry is also evidenced by the analysis that was previously published by Deloitte. It predicts that the share of cinema box office revenue from IP video games will double by 2025, and that more and more film productions originate from the world of video games, blurring the lines between the world of games and cinema. Younger generations especially contribute to this as an audience that favors breaking the boundaries between traditional media and their previous division into film and video heroes.
The fact that Super Mario Brothers was the most successful movie about video games ever shows how valuable the bond between ‘games’ and film is, and its release has contributed to an enormous increase in Nintendo’s revenues, as much as 1.3 billion dollars. Before that, no movie adaptation of a video game had ever crossed $500 million at the box office.
On that wave, Electronic Arts cited its game Star Wars Jedi: Survivor as one of the two main ‘culprits’ for its significantly increased quarterly earnings. Similar success follows Sony’s game series The Last of Us, which became a huge serial hit on the Home Box Office (HBO) platform last year. And in parallel, Netflix launched its mobile gaming offering, which included video games based on movies and series from its streaming titles.
All these parameters indicate that stories (narratives), promotions and actors are important for both worlds (film and video games), which is reflected in the fact that production studios strive to monetize their most valuable and successful content through cinemas and interactive universes. IP games drive revenue at the box office, on the one hand, which potentially brings more and more people to the game, on the other, opening up spaces for other adaptations and sequels.
The global state of cinema after the pandemic: ranking by country
GII again places India at the top of the list when it comes to film production, where it is pointed out that the number of films made in one year (2022) has reached a record + 679 productions. Japan also recorded a rise with +144, Turkey with +111, as well as Spain with +49. However, the highest rate of decrease in film shootings is in the United States of America (-109), followed by China (-80), as well as France (-57).
Indian Bollywood recorded almost 2,500 films in 2022 alone, which is 29% of the total world production. A third of that amount was shot by Hollywood (about 835), which globally positions it in second place in terms of production in the world, and for now unpublished statistics from 2024 indicate that the number of films in Hollywood is in even greater decline.
In third place is extremely advanced Japan, which is taking an increasing percentage of the total share in the world of film, and the screen adaptation of popular ‘anime’ productions is particularly significant in this sense. China is in fourth place – it remains very strong as a local production, with not so much ‘export’ of films.
The remaining 20 places, according to the Global Innovation Index, are occupied by middle-income countries such as Mexico, Argentina, Brazil, Russia, the Philippines and Iran. However, when it comes to the number of films made in relation to the number of inhabitants of the country in Europe – Iceland leads, followed by Switzerland, Estonia, the Czech Republic and Luxembourg.
African soil is interesting in terms of its parameters, and the country’s record jumps in film productions. Thus, Morocco leads the way by quadrupling the number of films produced in four years. And it is followed by Egypt and South Africa.
Vujinović & Partners specializes in the field audiovisual, creative sector, art, and media industries. Since we actively advise film and media producers, broadcasters, and other distributors of media content, you can anytime contact us at office@vujinovicpartners.rs.
Officially Among the World’s IP Elite: Nikolina Vujinović Ranked by IP STARSThe just published MIP (Managing Intellectual Property) IP STARS ranking list ranked partner Nikolina Vujinović as Copyright star za 2024 for the jurisdiction of Serbia. Nikolina is the only one ranked with this rating in Serbia, which makes this success even greater.
We are honored to be recognized in this international professional guide to legal practices in the field of intellectual property. Nikolina Vujinović and the team she leads have an exceptional practice with specialization in the field of intellectual property law. They advised some of the largest international companies operating on the market of Serbia and the region in the field of media, creative industry, pharmaceuticals and healthcare. They are dedicated to the protection of intellectual property and are involved in many domestic and international projects aimed at improving copyright and related rights.
Once again, big congratulations to our entire team for the results achieved and the recognition received.
Zvanično Među Svetskom IP Elitom: IP STARS rangirao Nikolinu Vujinović
Upravo objavljena MIP (Managing Intellectual Property) IP STARS rang lista je rangirala partnera Nikolinu Vujinović kao Copyright star za 2024. godinu za jurisdikciju Srbije. Nikolina je jedina rangirana sa ovim rejtingom u Srbiji, što ovaj uspeh čini još većim.
Velika nam je čast što smo dobili priznanje u ovom međunarodnom stručnom vodiču za pravne prakse u oblasti intelektualne svojine. Nikolina Vujinović kao i tim koji predvodi imaju izuzetnu praksu sa specijalizacijom u oblasti prava intelektualne svojine. Savetovali su neke od najvećih međunarodnih kompanija koje posluju na tržištu Srbije i regiona u oblasti medija kreativne industrije, farmacije i zdravstva. Posvećeni su zaštiti intelektualne svojine i uključeni u mnoge domaće i medjunarodne projekte koji imaju za cilj unapređenje autorskih i srodnih prava.
Još jednom, velike čestitke celom našem timu za ostvarene rezultate i dobijeno priznanje.